I realize it is probably bad form to come out and express appreciation for an album that I had some personal involvement with, and, well to put it kindly, went sadly unappreciated, but I am going to extend myself out on that embarassing limb.
Just Desserts really was just myself and Larry Fessenden, but at all different junctures we became morphed into something else when surrounded by others. Our latest CD, for me, represented something rare; an expression of our own, internal nostalgia. These were songs (most of them) that we played ages ago, failed to bring to fruition on the canvas, and later in life, tried again. What did occur with age is that we found ourselves surrounded by great musicians, and lord have mercy, a producer/engineer/therapist (Mark Ambrosino) that could take two rusty, but relatively artistic windbags, to a higher place. Look, I might be close to it, but I am not blinded from seeing, hearing realizing the missteps. But something interesting happens when you laud and applaud your own nostalgia – and in a way – give it the dignity and grace it lacked when you were the clueless asses who wrote the songs but couldn’t get them to sound the way you imagined in your head. It’s not redemption so much as an exhumation of a promising but flawed youth. But there is so many who give up on this moment or this stage of life. “Lost in Love” resists that urge and I think tries to turn it on its head. Yes, we were insignificant and low. But we wanted to sound just a little bit more like this…
I would admit there is little to be interested in when listening to the basement tapes of most of our pasts. But in every ordinary (and not so ordinary life) there are moments that deserve regard and appreciation. It doesn’t need to reach certain external or internal benchmarks. When it is good enough, resonates enough, you’ll know. And it will be meaningful, to recreate it, not only to those who lived it, but for those who didn’t live it but can now feel it, unobscured by past out of tune strings and drunken, misguided performances. Suddenly a memory breaks out of it’s box of yellowed newspapers and actually becomes an expression. Perhaps it is an expression out of time, but typically if the band is in time, that seems to matter less.